“Sea-level rise directly affects all our coastal communities,” Heming said. Mikaela Heming, a Mississippi State University Extension Service associate, was the Resilience to Future Flooding project coordinator. This project focuses on addressing communication and financial barriers to sea-level rise resilience in the northern Gulf of Mexico. Communities along the Gulf Coast facing the constant challenge of sea-level rise coupled with heavy rains and tropical storms have an ally in the Resilience to Future Flooding project. He followed this with his current run on Thor: God of Thunder.BILOXI, Miss.
#Sea of stars mississippi series
Aaron commented, "With Wolverine: Weapon X we'll be trying to mix things up like that from arc to arc, so the first arc is a typical sort of black ops story but the second arc will jump right into the middle of a completely different genre," In 2010, the series was relaunched once again as simply Wolverine. Later that July, he wrote the Penguin issue of The Joker's Asylum.Īfter a 4-issue stint on Wolverine in 2007, Aaron returned to the character with the ongoing series Wolverine: Weapon X, launched to coincide with the feature film X-Men Origins: Wolverine. In January 2008, he signed an exclusive contract with Marvel, though it would not affect his work on Scalped. His continued work on Black Panther also included a tie-in to the company-wide crossover storyline along with a "Secret Invasion" with David Lapham in 2009.
Later that year, Marvel editor Axel Alonso, who was impressed by The Other Side and Scalped, hired Aaron to write issues of Wolverine, Black Panther and eventually, an extended run on Ghost Rider that began in April 2008. In 2007, Aaron wrote Ripclaw: Pilot Season for Top Cow Productions. In 2006, Aaron made a blind submission to DC/Vertigo, who published his first major work, the Vietnam War story The Other Side which was nominated for an Eisner Award for Best Miniseries, and which Aaron regards as the "second time" he broke into the industry.įollowing this, Vertigo asked him to pitch other ideas, which led to the series Scalped, a creator-owned series set on the fictional Prairie Rose Indian Reservation and published by DC/Vertigo.
The story, which was published in Wolverine #175 (June 2002), gave him the opportunity to pitch subsequent ideas to editors. Aaron decided he wanted to write comics as a child, and though his father was skeptical when Aaron informed him of this aspiration, his mother took Aaron to drug stores, where he would purchase books from spinner racks, some of which he still owns today.Īaron's career in comics began in 2001 when he won a Marvel Comics talent search contest with an eight-page Wolverine back-up story script.
#Sea of stars mississippi full
His cousin, Gustav Hasford, who wrote the semi-autobiographical novel The Short-Timers, on which the feature film Full Metal Jacket was based, was a large influence on Aaron. Jason Aaron grew up in a small town in Alabama. or maybe it's the strange powers he's suddenly manifesting?įrom the writing duo of Jason Aaron ( Southern Bastards, Thor) and Dennis Hopeless ( Cloak & Dagger, Vader: Dark Visions), with dazzling art by Stephen Green ( Hellboy & the BPRD) and cosmic colors by Rico Renzi ( SpiderGwen) comes a brand-new science fiction series, with all the scope and heart of the The Never Ending Story crossed with imaginative weirdness of Miyazaki - an intense, galaxy-spanning adventure that's suitable for fans of all ages! Meanwhile, Kadyn seems to be getting all the help he needs from a talking Space Monkey riding a Space Dolphin. So when recently-widowed Gil gets a long-haul gig across the universe, he figures it's safe enough to bring his young son Kadyn along for the ride - that is until their 'big rig' gets bitten in half by a gigantic Space Leviathan! Now separated from his young son - with a breached suit that's venting oxygen at an alarming rate - Gil must defy the odds and stay alive long enough to rescue Kadyn. Being a space-trucker sounds like a cool job, but the reality is can be boring as hell.
0 kommentar(er)
